Ndaya as Medusa

This powerful portrait portrays Ilunga embodying the figure of "Medusa," originally depicted by Frederick Sandys in 1875. Created during a significant phase of Ilunga's life, this artwork captures her personal journey and exploration of identity. Through her interpretation, Ilunga draws attention to the notion that black women, in their own distinctive manner, can be seen as modern-day "Medusas."

Referencing historical figures such as Sara Bartmaan and Josephine Baker, who have faced objectification and exploitation, this portrait confronts the persistent sexualization and commodification of black women. By reclaiming the gaze and narrative surrounding the representation of black women, this artwork invites viewers to reassess mainstream cultural and mythological norms, fostering a deeper appreciation for the richness and beauty inherent in black womanhood.

Ilunga's portrayal of herself as "Medusa" challenges preconceived notions, disrupts stereotypes, and invites a new understanding of black femininity and empowerment. It encourages a reevaluation of societal perspectives and urges viewers to recognize the multifaceted depth and resilience of black women within contemporary culture.

Through this artwork, Ilunga not only engages with historical imagery and mythology but also establishes a platform for dialogue and reflection. By confronting the issues of objectification and cultural commodification, she highlights the need for a more inclusive and respectful representation of black women, promoting a greater appreciation for their unique experiences, beauty, and strength.