Proper gander

This drawing presents a compelling portrait of Ilunga, intentionally referencing the layout and title of a book from the 1900s titled "The Negro: A Beast or in the Image of God" by Charles Carol. While the specific content of Professor Carol's book is not explored here, Ilunga appropriates the original imagery by replacing the slave figure on the cover with her own image, thus reclaiming the power and resilience of her Congolese ancestry.

In a transformative twist, this artwork transcends the original intention and becomes a powerful representation of the strength and diversity of young black individuals in contemporary society. It acknowledges the ongoing internal struggle faced by black individuals in questioning their worthiness, yet it also emphasizes the unwavering determination to overcome adversity and achieve excellence.

By subverting the historical narrative and centering herself in the portrait, Ilunga underscores the resilience and agency of young black people, particularly millennials, who defy societal expectations and redefine their identities. This drawing serves as a testament to their ability to triumph over challenges, celebrate their heritage, and chart their own paths towards success.

Through her artistic reinterpretation, Ilunga challenges the limited and oppressive narratives that have been historically imposed on black individuals. She invites viewers to reflect on the transformative power of self-belief and resilience, fostering a sense of empowerment and encouraging a collective reevaluation of the narratives that shape our perceptions of race, identity, and worth.