Explorations of the self

Ilunga's series of drawings serves as a compelling testament to her quest for understanding and self-expression through the medium of art. Influenced by surrealism, she employs stylization, manipulation, and self-portraiture caricature to foster a profound dialogue between her internal and external realms. In her artwork, Ilunga delves into the symbiotic relationship between these states of being, recognizing their interdependence and inseparability.

Drawing has always been an outlet for Ilunga to navigate her life and delve into various facets of her identity. Her artistic journey commenced with a deep exploration of her name and its origins. Central to these drawings is a profound connection to the concept and origin story linked to her name, 'Ndaya,' which finds its roots in the Swahili language and draws inspiration from the folk tale of 'Ndayene.'

The tale of 'Ndayene' recounts the story of a courageous young woman from Lubumbashi in the Democratic Republic of Congo. With strength and determination, she embarked on a mission to unite disparate clans and villages, aiming to bring harmony to the land. Despite facing accusations of witchcraft and being killed by her cousin, her spirit endures, providing guidance to young women navigating life's challenges.

Within her drawings, Ilunga embodies different iterations of 'Ndayene' alongside aspects of her own persona, embracing self-love and reinvention without apology. This series showcases a powerful femme goddess reclaiming her eternal power and space, traversing various alter-egos and exploring multifaceted dimensions of the self. Through her artwork, Ilunga carves out a sanctuary for self-exploration, inviting viewers to join her in unraveling personal and universal identities, while finding solace and understanding in the artistic expression of lived experiences.

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